‘Singlish’ Dancer Auditions 31 Jan 2017 & Open Exchange 1 Feb 2017

Seeking two dancers in Singapore for my newest dance-theatre work ‘Singlish’ and we are also holding an open cartier bracelet prices uk
exchange cartier love bracelet to meet dancers and actors in Singapore for future productions.

(1) Singapore Audition for Contemporary and Traditional Dancers

(2) Open Exchange for Dancers of All Forms

Theatre of Rhythm and Dance (Australia) is seeking two professional female or male dancers – a Contemporary dancer and a Traditional Indian dancer for a new dance-theatre work, SINGLISH by Australian choreographer, Annalouise Paul.

This new Australia-Singapore collaboration, ‘Singlish’ (working title) explores identities in transition through loss and erosion of languages and literature, which shape culture and identities. Using phonetics of local languages and creoles, rich choreographic scores will be drawn from grassroots writings, popular fiction and literature and dance as an unspoken language that can transcend literal meaning.

Essential: Strong technique and professional performance experience. Dancers need to be willing to explore new processes through task-based work, improvisation and work with spoken text. Basic use of a language other than English for both dancers is preferred. Traditional Indian dance form may be any style, e.g. BN, Kathak, Odissi etc.

  1. SINGAPORE DANCE AUDITIONS (2017):
  • Tuesday 31 January, 10.00am – 1.00pm. Audition for Contemporary and Traditional Indian dancers. Singaporean or PR.

Dancers are expected to attend the Open Exchange, the following day as part of your audition. Please advise if this is not possible.

  • Wednesday 1 February, 10.00am – 1.00pm. Open Exchange. This cartier replica will be an open session for dancers of any form, style or nationality to participate in a movement-based exchange with Annalouise, exploring the themes in the work using text and language.  Open to emerging artists, artists with a disability, actors with an interest in movement. All are welcome.

Venue: Singapore Repertory Theatre, Rehearsal Studio 2. Address: 25 Tai Seng Avenue, Level 2, Singapore 534104

Important note: Once selected from the Singapore audition, both dancers should be ready to start work the following week on Monday 6 February.

  1. PROJECT STAGES & SCHEDULE:
  • Stage 1: 6-17 February 2017. Mon-Fri, 9.00am – 5.00pm. Studio: SRT Rehearsal Studios.
  • Stage 2: Sept 2017. Malaysia: Rimbun cartier bracelet of anastasia steele quotes
    Dahan 4 weeks. Dates TBC
  • Stage 3: Performance season March 2018 Sydney. Further dates and cities discount cartier bracelet TBC.

Contract period: ‘Singlish’ is being developed over various stages throughout 2017-2018. There are two contracts:

  • The Contemporary dancer must be available for ALL Stages.
  • The Traditional Indian dancer is required for Stage 1 only.

Fees: Artists will be paid a project fee and offered flights, per diems cartier love bangle and accommodation for the international contracted periods.

  1. REGISTRATION DETAILS:

Please register your interest for Dancers’ Audition by email by 23 January 2017 by sending the following; Watch movie online The Transporter Refueled (2015)

  • A bio or CV
  • A headshot
  • 2-3 links of you dancing www.callingallcakes.org or performing live. No promo show reels. Links only (Youtube, Vimeo etc). Please do not send media files (mov, for eg). N.B. If you do not have any links, please mention this in the email.
  • Following your registration we will contact you with more information about the audition.

Please register your interest for Open Exchange by email by 23 January 2017 by sending the following;

  • Your name, contact details and a short callingallcakes.org statement on how this might be valuable or of interest for you to participate.

Email: annalouisetania@gmail.com

For more information, contact Tania Goh via email or mobile (+65. 973 777 03)

About Theatre of Rhythm and Dance

Theatre of Rhythm and Dance is an Australian Arts in Asia Award winner 2013 and NSW Premier’s Export Scholarship winner 2013. Annalouise’s choreographic work explores identity and transformation through the intersection of traditional and contemporary forms. All artists will be credited as collaborators in this new work.

Co-produced by SaltShaker Arts Management (Singapore) and Theatre of Rhythm and Dance (Australia).

‘Singlish’ is supported through National Arts Council Singapore, Rimbun Dahan (Malaysia) and Parramasala Festival (Australia).

https://www.facebook.com/groups/625941507607527/15658984_10154590717642559_164875959_o

Blue Mountains Flamenco Open Studio Sharing 3rd Dec 2016

Gallery

Our flamenco cartier bracelets class open studio showing replica cartier was a blast! A huge cartier bracelets congratulations to everyone for a wonderful year of great learning and sharing cartier bracelet prices uk to a very warm audience cartier bracelet … Continue reading

‘FORGE’ premiere May 2016

FORGE is a metaphor for the human soul that is beaten and shaped through life. Reckoning with self, creating new place, forging new form, torquing the vertical spine, disarming the meter, claiming bracelet replica cartier rite of passage toward self-sovereignty. Many years ago, I sat at the wall in the garden of the Alcazar in Seville and cried, no idea why. I recently learnt this wall was part of the Juderia, the ghetto of the Sephardi peoples sent away some 600 years before. They fled to Arabia and further to India to where I now know my ancestries lie. FORGE reveals fragments of memory, my life with flamenco, love of Lorca, the pentagram, seguriyas rhythm and Guernica. Outside the wall I build a new city.

Spoken and sung text: There is no safe life when freedom is lost. Antonio Enriquez Gomez, Spanish cartier bracelets Jewish dramatist, poet.(1600). Cielo Vivo (extracts) Federico Garcia Lorca. Puncha La Rosa Sephardi folk song.

5 MIN VIDEO callingallcakes.org of FORGE https://vimeo.com/167880857

Forge-158 Photos by Heidrun Lohr

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FORGE Creative replica cartier love bracelets Team

Choreography, Concept and Performance Annalouise Paul

Composer, Pianist, Sound Design Marianthe Loucataris

Vocalist Helen Rivero

Costume Designer cartier bracelet of anastasia steele quotes
Tobhiyah Stone Feller

Lighting Designer Roderick Van Gelder

Producer Anne-Louise Rentell

Stage Manager Susan fake cartier bracelets
Abau

Premiered 5-7 May 2016.  Presented by FORM cartier bracelet prices uk
DANCE Projects at Riverside Theatres Parramatta. MATCH funding partner Creative Partnerships Australia.

Super special thanks to Juan Carlos Lerida for his wonderfully insightful Flamenco consultancy as an outside eye in Seville, the gorgeous Geraldine Balcazar for her additional rehearsal support in my 11th hour, to Sally Hillier and Alana Canceri for the costume construction of such an amazing design and no less to Kay Armstrong and Sebastian Marquis, Chilled www.callingallcakes.org Piping for untold amounts of free rehearsal space and Leland Keane, Merrigong Theatre Co. for free rehearsal space during the conceptual stage with Amanda Handel.

Forge-406Photos by Heidrun Lohr

Forge-375

 

 

 

 

 

 

 

REVIEWS and INTERVIEWS

Dance Informa interview with Annalouise Paul and Pepa Molina: http://danceinforma.com.au/articles/flamenco-works-premiering-at-riverside/

Arts Hub: http://performing.artshub.com.au/news-article/reviews/performing-arts/lynne-lancaster/forge-and-bush-bailando-251232

Sydney Morning Herald: http://www.smh.com.au/entertainment/dance/bush-bailando-and-forge-review-double-bill-of-flamenco-works-proves-engaging-20160506-gonxjq.html

Sydney Scoop: http://sydneyscoop.com/arts-entertainment-features/contemporary-flamenco-riverside-theatre/

Vicki Van Hout for FORM Dance Projects: http://form.org.au/2016/05/she-stood-still/

Writer Sarah Menary posted this beautiful response to the work on her own blog: https://samenary.com/2016/05/16/writing-inspired-by-performance/

Forge-422 Forge-105Photos by Heidrun Lohr

 

 

 

 

Intercultural workshop Dance DNA

Great workshop exploring the DNA of dance with 8 dancers from Sudan, Japan, Chile, West Sumatra, Gadigal country, India!  Awesome questions and answers… hopefully more workshops to come. Questions: What is the DNA of your dance? Where does it begin in the body? What is the trigger – a memory, emotion, body part?   IMG_4587

Sydney Dance Bloggers Review

Sydney’s best dance bloggers on Mother Tongue…

‘Mosaic of Movement’ by Sumathi Krishnan
http://sydhwaney.com/mosaic-of-movement-mother-tongue/

Mother Tongue, a rhythmic conversation somewhere between sung dance and bodily music by Kate Maguire-Rosier
http://mrkategoestothetheatre.wordpress.com/2014/09/17/mother-tongue-a-rhythmic-conversation-somewhere-between-sung-dance-and-bodily-music/


Mother Tongue

 

‘Self Portrait’ solo residency

It’s been a big month working with Kristine Landon-Smith and Jane Harrison on ‘Self Portrait’ a new solo work at Blacktown Arts Centre. Hard work and discipline are fundamental, it has been fun and challenging working on new processes and in the passenger seat. Kristine comes with a wealth of knowledge on intracultural theatre making, something that is so enjoyable to listen to her speak about and Paschal Berry who has supported as outside eye, has a keen understanding on process and the importance of conversation as a beginning process and research.  Looking forward to more with all!

Photo credit: Christophus Verheyden

Photo credit: Christophus Verheyden

 

 

WINNER for NSW Export Awards

Theatre of Rhythm and Dance won the Premier’s NSW Scholarship Award for its export of innovative arts performance to India in 2012 and 2013!!  Hooray!

Ian Murray, Executive Chairman of the Export Council of Australia said, “Last night in Sydney the state’s best of the best exporters were rewarded for excellence at the NSW Premier’s Export Awards. The Premier’s NSW Export Awards showcased the state’s export elite, in front of an audience of over six hundred guests and Guest of Honour the Hon Andrew Stoner, Deputy Premier of NSW. This year’s awards showcased some truly innovative companies, particularly in all export sectors and we congratulate Theatre of Rhythm and Dance on their success”

The Export Council of Australia and NSW Trade & Investment and sponsors congratulated the export elite, 20 winners and 79 finalists at the 51st Premier’s NSW Export celebration held at the Sydney Convention Centre, Darling Harbour on Thursday, 16 October 2013.

The NSW Scholarship Award is offered to a small to medium organisation that has attained rapid export growth and achievement in any industry sector. The Scholarship provides an opportunity for a business to expand export operations by up-skilling it staff.

Theatre of Rhythm and Dance has grown from strength to strength in 2012-13, winning awards, touring internationally to new markets and securing a reputable a reputable national and international producer, Red Chair.

TRD is an emerging Australian dance theatre company presenting innovative and original intercultural works nationally, exploring traditional and contemporary values and deeper communication between cultures of Australia’s immense and uniquely diverse population.

Arts Hub:  INDEPENDENT ARTS COMPANY WINS SCHOLARSHIP FOR EXPORT EXCELLENCE  by Zainab Hussain Shihab

http://performing.artshub.com.au/news-article/news/performing-arts/independent-arts-company-wins-scholarship-for-export-excellence-197023

Premier's NSW Export Awards 2013

Premier’s NSW Export Awards 2013

Premier’s NSW Export Awards 2013

 

Magic ‘Gathering’ of artists

Gathering 2013 presented by Kultour was a landmark meeting for 19 artists from across Australia to meet over a few days and work with 8 arts provocateurs who posed questions about our intercultural practices, on how we present and re-present ourselves in the product driven market.

Right Here/Right Now was the final piece of picture where we had the opportunity to open up the minds of presenters and producers about our practice… and in the words of Teresa Crea we bring our own “cultural aesthetics” to any particular program. Rather than perceiving a “problem” of understanding and programming “multicultural work” we have the enticing opportunity of opening up programs to artists and audiences with a different “cultural aesthetic” to our own.

Magic.  Thanks to Kultour for an amazing experience. 

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Gathering artists, L to R: Liz Lea, Chi Vu, Jade Dewi, Katrina Lazaroff, Annalouise Paul, Maitland Schnaars. Photo by Panos Couros.

“Breaking out of the Multicultural Ghetto”  Arts Hub, Wednesday 11 September, 2013

Choreographer, dancer and actor Annalouise Paul, who has been creating intercultural dance theatre since 1988, agrees that ‘multicultural’ has become a loaded term.

‘Back in the Seventies, or the Sixties, when it was basically put into legislation, back then it was actually a really positive term, but through the breakdown and the removal of the word from legislation – this is what came out of somebody’s speech [at the Gathering] today – it’s become a dirty word,’ she said.

‘And for us as artists, that’s kind of filtered down; you don’t want to be labelled as this thing, you just want to do your work … make work [that is] recognised as being good art, as opposed to multicultural art.

‘Having said that, as a devil’s advocate, I personally don’t have a problem with [the word] because going back to the original intention of what multiculturalism was about for Australia, I think it’s a joyful thing that we have this kind of a culture where we can actually embrace that and explore that, and I do that in my work. But on the whole, the consensus or the feeling is that if you’re labelled, labelling is the bad part of it,’ Paul continued.

Right Here/Right Now is enabling us to get back to what is really important, and that’s our art practice. All artists have to deal with this; all those labels and boxes and gymnastics around language that we have to do in order to get out work funded and seen, validated or whatever; it slows down the process of actually making the work, and that’s what’s coming out of these three days.’

Full article http://www.artshub.com.au/news-article/features/arts/breaking-out-of-the-multicultural-ghetto-196584

Other Arts Hub Articles on ‘Gathering’ http://www.artshub.com.au/news-article/news/all-arts/reframing-the-cultural-aesthetic-196620
http://www.artshub.com.au/news-article/features/arts/breaking-out-of-the-multicultural-ghetto-196584

KULTOUR is the national advocacy body for culturally diverse arts.

Australian Arts in Asia Awards

Banner_winner

The inaugural Australian Arts in Asia Awards were held at Luna Park and it was an amazing feeling last night… the excitement in the room felt like an Academy Awards gala…..

Theatre of Rhythm and Dance was nominated for ‘Game On’ in four categories; Dance, Community Engagement, Individual and Small Arts Company for its tour to INTERFACE 2012 in India.

And… we won a joint award in Dance alongside Bangarra Dance Theatre – such an honour!

Massive thanks to Bobby Singh, Miranda Wheen, Paramita Saha, Sudarshan Chakravorty and Arts Radar with whom I share the Award with all for such a successful show and tour in India. Thanks to ARTS NSW and AusIndia Council for their support and congratulations to amazing co-nominees Tony Yap, Margie Medlin, Steps Youth Theatre and Australian Dance Theatre!!

FEDERAL GOVERNMENT WEBSITE  http://arts.gov.au/asiaawards/media

http://arts.gov.au/asiaawards/winnerprofiles

Thursday 1st August 2013

(R to L) Annalouise Paul with MP Tony Burke Federal Minister for the Arts, Lee Lin Chin and Ako Kondo.

Annalouise Paul with MP Tony Burke Federal Minister for the Arts, Lee Lin Chin and Ako Kondo.

Some great video and print on ABC, The Australian, Arts Hub ….

ABC ONLINE PRINT & VIDEO
http://www.abc.net.au/news/2013-08-02/an-australian-arts-in-asia-awards-feature/4862304

THE AUSTRALIAN
http://www.theaustralian.com.au/arts/ground-breaking-tours-recognised-in-australian-arts-in-asia-awards/story-e6frg8n